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Title : The Divine Sarah Bernhardt
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Bernhardt’s Strange, but Privileged Childhood

Sarah Bernhardt was the illegitimate daughter of a high-class prostitute and a wealthy, powerful father. The name of her father is unknown, but he and his family paid large sums of money to ensure that Bernhardt had a privileged upbringing and was educated at all the best schools. Her mother, who worked as a French courtesan, sent Sarah to boarding school. When her mysterious father died and his money stopped coming, Sarah’s mother called her back to Paris to decide what she should do. One of her mother’s clients was Charles de Morny, the half-brother of Napoleon III. He suggested that Sarah try acting.

Author Alexandre Dumas helped Bernhardt get into acting. Source: (operawire.com)

Tutored by Alexandre Dumas

When it was suggested that Sarah Bernhardt take a career as an actress, she was surprised. But her mother’s lover, Charles de Morny, introduced her to his friend, writer Alexandre Dumas, author of such classics as The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask. Under Dumas’ instructions, Bernhardt landed several acting roles and was beginning to make a name for herself when, at age 18, she took a step back from acting and, like her mother, took a series of wealthy lovers who helped her live a lavish lifestyle.

Source: (uh.edu)

Return to Acting

Bernhardt returned to acting and committed herself to perfecting her craft. She starred as Anna Danby in Dumas’ 1868 play, Kean, which proved to be her breakthrough role. She played a young boy in her next role, that of Zanetto in Francois Coppee’s Le Passant. The show ran from 150 performances and she received many accolades for her portrayal of the young troubadour. Napoleon III even gifted her with a diamond brooch after seeing her perform.

Source: (bbc.com)

Bernhardt Learned to Work the Presses

As her career blossomed, Sarah Bernhardt learned that there is no such thing as bad press. She encouraged rumors and innuendos about her to circulate because it kept her name in the public conversation. She did not deny or attempt to hide her numerous love affairs. When rumors circulated about her, she helped to fan the flames. She adopted an air of mystery and flamboyance that only served to increase her popularity as the greatest tragedienne of her time. Victor Hugo even called her the “queen of the pose.”

Sarah Bernhardt as Hamlet. Source: (openculture.com)

Bernhardt Played Hamlet

A lifelong lover of Shakespeare, Sarah Bernhardt finally tackled her biggest acting challenge when she agreed to play Hamlet in 1899 when she was 55 years old. She later reprised the role at the Shakespeare Memorial Theatre in Stratford, England. Her interpretation of Hamlet was vastly different than what British theatre-goers were used to seeing. Bernhardt’s performance was simultaneously applauded and jeered. She was highly criticized for taking on a male role as a woman, though her critics often failed to mention that, in Shakespeare’s day, all the female roles were played by male actors.

Source: (biography.com)

Bernhardt Played Hamlet

Source: (biography.com)

An Onstage Injury

During a performance tour of South America in 1903, Sarah Bernhardt injured her knee when she fell off a stage. The injury continued to give her trouble and, when the tour arrived in Germany, she was in so much pain that she finally visited a doctor. The German doctor told her she needed immediate surgery that would render her immobile for the next six months. Instead of following the doctor’s orders, Bernhard continued to tour and perform, even with limited mobility, for twelve more years. By 1915, the pain was too much to take so she saw another doctor. He discovered that some of the tissue in her leg had died and gangrene had set in. On February 22, 1915, Bernhardt had surgery to amputate her leg nearly to her hip.

Sarah Bernhardt was carried around in a palanquin much like this one. Source: (quigley'scloset.blogspot.com)

After Surgery, Sarah Bernhardt Traveled Like a Diva

After losing her leg, Sarah Bernhardt chose not to use an artificial leg. She didn’t even use a cane, crutches, or a wheelchair. Instead, she chose to move around like the diva that she was…in a palanquin! She designed and decorated her own gilded palanquin, a form of conveyance from Asia. Bernhardt sat on a throne on long poles that were carried on the shoulders of two men.

Sarah Bernhardt's funeral procession. Source: (flickr.com)

Sarah Bernhardt’s Death Brought Paris to a Halt

After losing her leg, Sarah Bernhardt continued to act, though she slowed down her activities. On stage, she limited her movement but balanced on one leg during curtain calls. She was easily the best-known actor of the late 1800s and early 1900s. When Bernhardt died on March 26, 1923, at the age of 79, she was mourned the world over. Her funeral procession closed many of the streets through Paris and brought business and activity to a halt as the procession passed by.